The Sanctuary of Parthenos at Ancient Neapolis (Kavala) Volume I: Incised and Painted Ceramic Inscriptions from the Sanctuary and in Aegean Thrace

The Sanctuary of Parthenos at Ancient Neapolis (Kavala) Volume I Incised and Painted Ceramic Inscriptions from the Sanctuary and in Aegean Thrace Amalia AvramidouPages: xvi 192 p. Size:216 x 280 mm Illustrations:191 b w, 17 col., 20 tables b w.The first volume on the legacy data from the poliadic Sanctuary of Parthenos at Neapolis (Kavala) fills a decade-long gap in the archaeology of the North Aegean, as it sheds new light on the identity of the city?s patron deity and the rituals occurring in her cosmopolitan temenos through the study of the inscribed pottery.Summary The ancient city of Neapolis (modern Kavala, Greece) was founded by Thasos in the seventh century BCE at a strategic location where the Thracian hinterlands meet the Aegean Sea. The patron deity of this North Aegean polis was Parthenos (the Maiden), known to us through epigraphic and archaeological evidence. Her sanctuary came to light in the twentieth century during rescue excavations, and yielded numerous finds, most of which date from the Archaic period.This monograph provides a discussion of the history of excavations at this sanctuary, as well as a contextual examination of the material, leading to a new interpretation of Parthenos? identity. Among the wealth of finds from the site, the corpus of incised and painted ceramic inscriptions stands out, as it offers a unique glimpse into the history of the cosmopolitan temenos and the dedicatory practices and rituals that took place there. The inscribed vessels carry dedications, numerical and other graffiti, and dipinti, as well as the initials of the goddess, which designate them as sacred equipment. When considered in the context of the ceramic inscriptions from sanctuaries across Aegean Thrace, they further underscore the important role of Neapolis and the Sanctuary of Parthenos in the commercial networks and cultural dynamics of the Aegean, both in the early stages of Greek colonization, and in the centuries that followed.TABLE OF CONTENTS List of Illustrations Author?s Preface1. Parthenos in Neapolis: Sanctuary, Cult, Identity 2. Inscribed Pottery 3. Incised Inscriptions and Sketches 4. Painted Inscriptions and Stamps 5. Discussion of the Inscribed Pottery from the Parthenos Sanctuary 6. Inscribed Pottery from Sanctuaries in Aegean Thrace 7. Concluding RemarksBibliography IndexBIO Amalia Avramidou is Associate Professor of Classical Archaeology at the Democritus University of Thrace. She specializes in Greek pottery, cult, and intercultural relations in the Mediterranean. She is currently the principal investigator of the Peraia of Samothrace Project, a multidisciplinary fieldwork project on the coast opposite the North Aegean island, and in charge of publishing the legacy excavations of the Sanctuary of Parthenos at ancient Neapolis (Kavala).